Postcolonial Europe

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“Violence and its Aftermath in the Soviet and Post-Soviet Context”, Zhytomyr (Ukraine)

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Fourth International Social Science Summer School in Ukraine: "Violence and its Aftermath in the Soviet and Post-Soviet Context", Zhytomyr (Ukraine), 4-10 July 2012

Program description:

"How naive, how kindly and patriarchal the old prisons huddled on the outskirts of towns now appeared - beside these camp-cities, beside the awful crimson-black glow that hung over the gas ovens! You might well think that the management of such a vast number of prisoners would have required an equally vast army of guards and supervisors. In fact, whole weeks would pass by without anyone in an SS uniform so much as appearing inside the barrack-huts. It was the prisoners themselves who policed the camp-cities (...) It seemed as though the German authorities could disappear altogether, the prisoners would maintain the high-voltage current in the wires and go on with their work." This is the way Vasily Grossman, a Soviet writer born in a Jewish family in central Ukraine, defines in his major novel Life and Fate the level and sophistication of violence reached in the XXth century. The novel dedicated to the Second World War is a reflection on the management of violence in war conditions and its ambiguity, but also on the violence experienced by political prisoners in Stalinist camps and on the pervasiveness of violence in all spheres of life. Having lost his mother in the Berdichev ghetto during the war, the writer dedicated his novel to her and her shadow is present in the author's whole work of writing and memory.

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DECADENCE OR RENAISSANCE? RUSSIAN LITERATURE SINCE 1991, Oxford University

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Call for Papers

DECADENCE OR RENAISSANCE? RUSSIAN LITERATURE SINCE 1991

A three-day international conference at St Antony's College, Oxford University, 24-26 September 2012

Keynote speakers:
Mark Lipovetsky (University of Colorado, Boulder)
Irina Prokhorova, head of New Literary Observer
Mikhail Shishkin, novelist

What have been the main achievements in Russian prose and poetry of the past twenty years, both inside and outside the ‘motherland'? And what have been the most interesting and innovative tendencies in literature of this period? Beyond a handful of familiar names, new Russian writers remain little-known and little-read, both within Slavic studies and among the general public. ‘Decadence or Renaissance?' is intended to advance knowledge and understanding of Russian literature of the post-Soviet period among scholars, publishers and translators.

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“Literary Theatricality: Theatrical Text” at Princeton University’s Department of Slavic Languages and Literatures

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Graduate student conference "Literary Theatricality: Theatrical Text" at Princeton University's Department of Slavic Languages and Literatures

Conference date: October 26 & 27, 2012

Keynote: John MacKay (Yale University)


Convergence between text and dramatic performance can be found in the narrative strategies of some of the most foundational texts of Russian literature. For instance, in Eugene Onegin Pushkin's narrator shifts between masks, using the disguises to create a plurality of voices throughout the structure of his lyrical stanzas. In a similar vein, Gogol's narrators would rely on complex verbal textures borrowed from vocalized turns of speech (skaz). In the 20thcentury, Silver Age and modernist artists both theorized and explored a synthesis between genres, particularly in the case of dancers who drew on literature as both textual and inspirational sources for their formulations of movement codes. Early Russian film and film theory freely borrowed from theatrical conventions, while Eisenstein and Tynianov regarded film as structurally analogous to a written text.

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POSTCOMMUNISM- POSTCOLONIALISM’S OTHER, University of Ploiesti

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"Word and Text" - A Journal of Literary Studies and Linguistics,
University of Ploiesti, http://jlsl.upg-ploiesti.ro/


Call for Papers


POSTCOMMUNISM- POSTCOLONIALISM'S OTHER

If Postcommunism designates the period of political and economic transition from communism to democracy after the dramatic events of 1989 (the fall of the Berlin Wall, the Velvet Revolution in Prague and the Romanian revolution, to name but a few) period which was dominated by the rejection of Soviet communism legacies and associated institutions, symbols, vocabularies, socialist realism, postcolonialism is rooted in capitalist ideology. Despite Derrida's timely Specters of Marx and the spate of critical activity that it generated, as well as Stéphane Courtois' The Black Book of Communism, whose responses varied from highly enthusiastic support to bitter criticism, and Eric Hobsbawn's or Vladimir Tismăneanu's accounts on an epoch that was to leave permanent traces in world history, out of all post's, postcommunism as such has not received the theoretical attention it would have otherwise deserved. Meant to go beyond communism's blurring of all differences and equalitarianism, postcommunism attempted to meet postcolonialism in precisely that point where it (de)constructs the Other through a politics of difference. Postcommunist countries felt both European and in the periphery of it and have been aware of having awaken to capitalism somewhat too late and somewhat embedded in a reservoir of what the Westerners perceive as lacks of civilization.

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Master of Arts in Interdisciplinary Research and Studies on Eastern Europe (MIREES) University of Bologna

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Master of Arts in Interdisciplinary Research and Studies on Eastern Europe (MIREES) University of Bologna

This programme is jointly offered by the University of Bologna, Italy together with the Vytautas Magnus University at Kaunas, Corvinus University of Budapest and St Petersburg State University. The University of Ljubljana is an associate partner that offers additional mobility opportunities for students. The Programme is taught entirely in English (120 ECTS). The MIREES students will spend the first year in Forlì (one of the five campuses of the University of Bologna), while in the second year a minimum of 6 months will be spent at Partner Universities (including Ljubljana) and, in particular cases, at other MIREES Associated Universities in the Balkans. A mobility grant is offered to all enrolled students.
More detailed information on the teaching plan and the Faculty can be found at our web site: http://www.mirees.unibo.it/ .

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Virginia Foundation for the Humanities Resident Fellows Program

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The Virginia Foundation for the Humanities offers residential fellowships to scholars and writers in the humanities. We seek applications that are intellectually stimulating, imaginative, and accessible to the public. There are no restrictions on topic, and applications are invited from across the broad spectrum of the humanities. All applicants are considered for our two endowed fellowships.

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Czesław Miłosz: "Native Realm", by Stefan Jonsson

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Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

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Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

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Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

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Czesław Miłosz: "Native Realm", by Stefan Jonsson

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Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

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Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

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Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

Read more...

Czesław Miłosz: "Native Realm", by Stefan Jonsson

Read more...

Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

Read more...

Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

Read more...

Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

Read more...

Czesław Miłosz: "Native Realm", by Stefan Jonsson

Read more...

Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

Read more...

Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

Read more...

Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

Read more...

Czesław Miłosz: "Native Realm", by Stefan Jonsson

Read more...

Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

Read more...

Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

Read more...

Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

Read more...

Czesław Miłosz: "Native Realm", by Stefan Jonsson

Read more...

Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

Read more...

Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

Read more...

Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

Read more...

Czesław Miłosz: "Native Realm", by Stefan Jonsson

Read more...

Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

Read more...

Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

Read more...

Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

Read more...

Czesław Miłosz: "Native Realm", by Stefan Jonsson

Read more...

Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

Read more...

Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

Read more...

Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

Read more...

Czesław Miłosz: "Native Realm", by Stefan Jonsson

Read more...

Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

Read more...

Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

Read more...

Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

Read more...

Czesław Miłosz: "Native Realm", by Stefan Jonsson

Read more...

Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

Read more...

Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

Read more...

Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

Read more...

Czesław Miłosz: "Native Realm", by Stefan Jonsson

Read more...

Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

Read more...

Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

Read more...

Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

Read more...

Czesław Miłosz: "Native Realm", by Stefan Jonsson

Read more...

Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

Read more...

Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

Read more...

Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

Read more...

Czesław Miłosz: "Native Realm", by Stefan Jonsson

Read more...

Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

Read more...

Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

Read more...

Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

Read more...

Czesław Miłosz: "Native Realm", by Stefan Jonsson

Read more...

Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

Read more...

Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

Read more...

Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

Read more...

Czesław Miłosz: "Native Realm", by Stefan Jonsson

Read more...

Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

Read more...

Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

Read more...

Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

Read more...

Czesław Miłosz: "Native Realm", by Stefan Jonsson

Read more...

Neil Lazarus: The Postcolonial Unconscious", by Blanka Grzegorczyk

Read more...

Katarzyna Marciniak and Kamil Turowski: "Streets of Crocodiles: Photography, Media, and Postsocialist Landscapes in Poland", by Magdalena Kania Lundholm

Read more...

Sandra Ponzanesi and Bolette B. Blaagaard (Ed.): “Deconstructing Europe. Postcolonial Perspectives”, by Paulina Gąsior

Read more...